In general, the viewfinder system of dSLR cameras operates very much like their film SLR counterparts. That would be great, except for one thing: Such systems rob you of the use of the digital sensor up until the instant the exposure is made. One of the primo advantages of digital cameras, the ability to see the sensor image prior to exposure, doesn’t apply to digital SLRs because they operate too much like their film ancestors. Here’s a quick checklist of how this quirk affects you:

? No live preview. You can’t preview the image you’re going to take, exactly as the sensor sees it because the sensor can’t create an image until the mirror flips up and out of the way. The LCD of a dSLR is used only for viewing images after the fact, plus for displaying menus and other information.

? No live histograms. As you’ll learned in later posts, histogram displays are a great way to optimize exposures. If the histogram “chart” is skewed too much in one direction or another, you can add or reduce shutter speed, aperture, or EV value to get the best possible exposure. Non-SLR digital cameras have what are called “live” histograms that show up on the LCD and/or EVF while a shot is being composed, so you can make corrections in real time. That’s not possible with a dSLR for the same reason you can’t get a live preview:The sensor is blind until the moment of exposure.

? No sneaky surveillance-type shooting. You can connect many digital SLRs to a USB cable and use a special program to control the camera from a distance. However, once again, you’ll be shooting blind. Your control program probably can download your remote photos to your computer after they are shot, but you can’t monitor what the camera sees before taking the picture. If you want to catch a shoplifter in the act, you’re better off with a regular video surveillance camera or even a high-end non-dSLR setup to provide a live feed to your monitor or computer.

? Shooting blind in dim light or with infrared filters. Here we go again. Because you’re limited to viewing through the dSLR’s optical viewfinder, if light conditions are very dim or you’re using an infrared filter, you have to shoot blind. LCD and EVF viewfinders often have circuitry that boosts the gain under dim conditions, providing you with a fuzzy, sometimes black-and-white image, but one that can still be viewed, even if you’re shooting with an infrared filter that blocks visible light.

Oddity of Digital SLR Viewfinders is a post from: Your complete Guide to digital cameras, reviews and news

Related posts

• Nikon’s SLR Cameras
• Digital SLRs for the People
• Why dSLRs Are Better
• Viewfinders
• Touchdown Shouting Tips to Shoot Digital Photos of American Football Part 2